Thomas Carlyle, Scottish essayist and historian (born in Ecclefechan on 4th Dec 1795)






Part 2

It is in this last shape that Burns presents himself. Born in an age the most prosaic Britain had yet seen, and in a condition the most disadvantageous, where his mind, if it accomplished aught, must accomplish it under the pressure of continual bodily toil, nay, of penury and desponding apprehension of the worst evils, and with no furtherance but such knowledge as dwells in a poor man's hut, and the rhymes of a Fergusson or Ramsay for his standard of beauty, he sinks not under all these impediments : through the fogs and darkness of that obscure region his lynx eye discerns the true relations of the world and human life; he grows into intellectual strength, and trains himself into intellectual expertness. Impelled by the expansive movement of his own irrepressible soul, he struggles forward into the general view ; and with haughty modesty lays down before us, as the fruit of his labour, a gift, which Time has now pronounced imperishable. Add to all this, that his darksome drudging childhood and youth was by far the kindliest era of his whole life ; and that he died in his thirty-seventh year : and then ask, if it be strange that his poems are imperfect, and of small extent, or that his genius attained no mastery in its arts ? Alas, his Sun shone as through a tropical tornado ; and the pale Shadow of Death eclipsed it at noon ! Shrouded in such baleful vapours, the genius of Burns was never seen in clear azure splendour, enlightening the world ; but some beams from it did, by fits, pierce through ; and it tinted those clouds with rainbow and orient colours, into a glory and stern grandeur, which men silently gazed on with wonder and tears !

We are anxious not to exaggerate : for it is exposition rather than admiration that our readers require of us here ; and yet to avoid some tendency to that side is no easy matter. We love Burns, and we pity him; and love and pity are prone to magnify. Criticism, it is sometimes thought, should be a cold business ; we are not so sure of this ; but , at all events, our concern with Burns is not exclusively that of critics. True and genial as his poetry must appear, it is not chiefly as a poet, but as a man, that he interests and affects us. He was often advised to write a tragedy ; time and means were not lent him for this; but through life he enacted a tragedy, and one of the deepest. We question whether the world has since witnessed so utterly sad a scene ; whether Napoleon himself, left to brawl with Sir Hudson Lowe, and perish on his rock, " amid the melancholy main," presented to the reflecting mind such a " spectacle of pity and fear" as did this intrinsically nobler, gentler, and perhaps greater soul, wasting itself away in a hopeless struggle with base entanglements, which coiled closer and closer round him, till only death opened him an outlet. Conquerors are a class of men with whom, for most part, the world could well dispense ; nor can the hard intellect, the unsympathising loftiness, and high but selfish enthusiasm of such persons, inspire us in general with any affection ; at best it may excite amazement ; and their fall, like that of a pyramid, will be beheld with a certain sadness and awe. But a true Poet, a man in whose heart resides some effluence of Wisdom, some tone of the "Eternal Melodies," is the most precious gift that can be bestowed on a generation : we see in him a freer, purer development of whatever is noblest in ourselves ; his life is a rich lesson to us : and we mourn his death as that of a benefactor who loved and taught us.

Such a gift had Nature, in her bounty, bestowed on us in Robert Burns ; but with queenlike indifference she cast it from her hand, like a thing of no moment ; and it was defaced and torn asunder, as an idle bauble, before we recognised it. To the ill-starred Burns was given the power of making man's life more venerable, but that of wisely guiding his own life was not given. Destiny,—for so in our ignorance we must speak,—his faults, the faults of others, proved too hard for him ; and that spirit, which might have soared could it but have walked, soon sank to the dust, its glorious faculties trodden under foot in the blossom ; and died, we may almost say, without ever having lived. And so kind and warm a soul ; so full of inborn riches, of love to all living and lifeless things ! How his heart flows out in Sympathy over universal Nature ; and in her bleakest provinces discerns a beauty and a meaning ! The "Daisy" falls not unheeded under his plough-share; nor the ruined nest of that " wee, cowering, timorous beastie," cast forth, after all its provident pains, to "thole the sleety dribble and cranreuch cauld." The "hoar visage" of Winter delights him; he dwells with a sad and oft-returning fondness on these scenes of solemn desolation; but the voice of the tempest becomes an anthem to his ears; he loves to walk in the sounding woods, for "it raises his thoughts to Him that walketh on the wings of the wind." A true Poet-soul, for it needs but to be struck, and the sound it yields will be music ! But observe him chiefly as he mingles with his brother men. What warm, all-comprehending fellow-feeling; what trustful, boundless love; what generous exaggeration of the object loved ! His rustic friend, his nut-brown maiden, are no longer mean and homely, but a hero and a queen, whom he prizes as the paragons of Earth. The rough scenes of Scottish life, not seen by him in any Arcadian illusion, but in the rude contradiction, in the smoke and soil of a too harsh reality, are still lovely to him ; Poverty is indeed his companion, but Love also, and Courage; the simple feelings, the worth, the nobleness, that dwell under the straw roof, are dear and venerable to his heart: and thus over the lowest provinces of man's existence he pours the glory of his own soul; and they rise, in shadow and sunshine, softened and brightened into a beauty which other eyes discern not in the highest. He has a just self-consciousness, which too often degenerates into pride; yet it is a noble pride, for defence, not for offence; no cold, suspicious feeling, but a frank and social one. The Peasant Poet bears himself, we might say, like a King in exile; he is cast among the low, and feels himself equal to the highest; yet he claims no rank, that none may be disputed to him. The forward he can repel, the supercilious he can subdue; pretensions of wealth or ancestry are of no avail with him ; there is a fire in that dark eye, under which the " insolence of condescension" cannot thrive. In his abasement, in his extreme need, he forgets not for a moment the majesty of Poetry and Manhood. And yet, far as he feels himself above common men, he wanders not apart from them, but mixes warmly in their interests; nay, throws himself into their arms, and, as it were, entreats them to love him. It is moving to see how, in his darkest despondency, this proud being still seeks relief from friendship; unbosoms himself, often to the unworthy; and, amid tears, strains to his glowing heart a heart that knows only the name of friendship. And yet he was "quick to learn;" a man of keen vision, before whom common disguises afforded no concealment. His understanding saw through the hollowness even of accomplished deceivers; but there was a generous credulity in his heart. And so did our Peasant show himself among us ; "a soul like an Ćolian harp, in whose strings the vulgar wind, as it passed through them, changed itself into articulate melody." And this was he for whom the world found no fitter business than quarrelling with smugglers and vintners, computing Excise-dues upon tallow, and gauging ale-barrels ! In such toils was that mighty Spirit sorrowfully wasted: and a hundred years may pass on before another such is given us to waste.

All that remains of Burns, the Writings he has left, seem to us, as we hinted above, no more than a poor mutilated fraction of what was in him; brief, broken glimpses of a genius that could never show itself complete ; that wanted all things for completeness: culture, leisure, true effort, nay, even length of life. His poems are, with scarcely any exception, mere occasional effusions; poured forth with little premeditation; expressing, by such means as offered, the passion, opinion, or humour of the hour. Never in one instance was it permitted him to grapple with any subject with the full collection of his strength, to fuse and mould it in the concentrated fire of his genius. To try by the strict rules of Art such imperfect fragments would be at once unprofitable and unfair. Nevertheless, there is something in these poems, marred and defective as they are, which forbids the most fastidious student of poetry to pass them by. Some sort of enduring quality they must have : for after fifty years of the wildest vicissitudes in poetic taste, they still continue to be read; nay, are read more and more eagerly, more and more extensively; and this not only by literary virtuosos, and that class upon whom transitory causes operate most strongly, but by all classes, down to the most hard, unlettered, and truly natural class, who read little, and especially no poetry, except because they find pleasure in it. The grounds of so singular and wide a popularity, which extends, in a literal sense, from the palace to the hut, and over all regions where the English tongue is spoken, are well worth inquiring into. After every just deduction, it seems to imply some rare excellence in these works. What is that excellence ?

To answer this question will not lead us far. The excellence of Burns is, indeed, among the rarest, whether in poetry or prose ; but, at the same time, it is plain and easily recognised : his Sincerity, his indisputable air of Truth. Here are no fabulous woes or joys; no hollow fantastic sentimentalities; no wiredrawn refinings, either in thought or feeling: the passion that is traced before us has glowed in a living heart; the opinion he utters has risen in his own understanding, and been a light to his own steps. He does not write from hearsay, but from sight and experience; it is the scenes that he has lived and laboured amidst that he describes : those scenes, rude and humble as they are, have kindled beautiful emotions in his soul, noble thoughts, and definite resolves; and he speaks forth what is in him, not from any outward call of vanity or interest, but because his heart is too full to be silent. He speaks it with such melody and modulation as he can ; " in homely rustic jingle ;" but it is his own, and genuine. This is the grand secret for finding readers and retaining them : let him who would move and convince others, be first moved and convinced himself. Horace's rule, Si vis me flere, is applicable in a wider sense than the literal one. To every poet, to every writer, we might say : Be true, if you would be believed. Let a man but speak forth with genuine earnestness the thought, the emotion, the actual condition of his own heart ; and other men, so strangely are we all knit together by the tie of sympathy, must and will give heed to him. In culture, in extent of view, we may stand above the speaker, or below him ; but in either case, his words, if they are earnest and sincere, will find some response within us ; for in spite of all casual varieties in outward rank, or inward, as face answers to face, so does the heart of man to man.

This may appear a very simple principle, and one which Burns had little merit in discovering. True, the discovery is easy enough : but the practical appliance is not easy ; is indeed the fundamental difficulty which all poets have to strive with, and which scarcely one in the hundred ever fairly surmounts. A head too dull to discriminate the true from the false ; a heart too dull to love the one at all risks, and to hate the other in spite of all temptations, are alike fatal to a writer. With either, or as more commonly happens, with both of these deficiencies combine a love of distinction, a wish to be original, which is seldom wanting, and we have Affectation, the bane of literature, as Cant, its elder brother, is of morals. How often does the one and the other front us, in poetry, as in life ! Great poets themselves are not always free of this vice ; nay, it is precisely on a certain sort and degree of greatness that it is most commonly ingrafted. A strong effort after excellence will sometimes solace itself with a mere shadow of success ; he who has much to unfold will sometimes unfold it imperfectly. Byron, for instance, was no common man : yet if we examine his poetry with this view, we shall find it far enough from faultless. Generally speaking, we should say that it is not true. He refreshes us, not with the divine fountain, but too often with vulgar strong waters, stimulating indeed to the taste, but soon ending in dislike, or even nausea. Are his Harolds and Giaours, we would ask, real men ; we mean, poetically consistent and conceivable men ? Do not these characters, does not the character of their author, which more or less shines through them all, rather appear a thing put on for the occasion ; no natural or possible mode of being, but something intended to look much grander than nature ? Surely, all these stormful agonies, this volcanic heroism, superhuman contempt, and moody desperation, with so much scowling, and teeth-gnashing, and other sulphurous humour, is more like the brawling of a player in some paltry tragedy, which is to last three hours, than the bearing of a man in the business of life, which is to last threescore and ten years. To our minds there is a taint of this sort, something which we should call theatrical, false, affected, in every one of these otherwise so powerful pieces. Perhaps Don Juan, especially the latter parts of it, is the only thing approaching to a sincere work, he ever wrote ; the only work where he showed himself, in any measure, as he was ; and seemed so intent on his subject as, for moments, to forget himself. Yet Byron hated this vice ; we believe heartily detested it: nay, he had declared formal war against it in words. So difficult is it even for the strongest to make this primary attainment, which might seem the simplest of all : to read its own consciousness without mistakes, without errors involuntarily or wilful ! We recollect no poet of Burns's susceptibility who comes before us from the first, and abides with us to the last, with such a total want of affectation. He is an honest man, and an honest writer. In his successes and his failures, in his greatness and his littleness, he is ever clear, simple, true, and glitters with no lustre but his own. We reckon this to be a great virtue ; to be, in fact, the root of most other virtues, literary as well as moral. Here, however, let us say, it is to the Poetry of Burns that we now allude ; to those writings which he had time to meditate, and where no special reason existed to warp his critical feeling, or obstruct his endeavour to fulfil it. Certain of his Letters, and other fractions of prose composition, by no means deserve this praise. Here, doubtless, there is not the same natural truth of style ; but on the contrary, something not only stiff, but strained and twisted ; a certain high-flown inflated tone ; the stilting emphasis of which contrasts ill with the firmness and rugged simplicity of even his poorest verses. Thus no man, it would appear, is altogether unaffected. Does not Shakespeare himself sometimes premeditate the sheerest bombast ! But even with regard to these Letters of Burns, it is but fair to state that he had two excuses. The first was his comparative deficiency in language. Burns, though for most part he writes with singular force and even gracefulness, is not master of English prose, as he is of Scottish verse ; not master of it, we mean, in proportion to the depth and vehemence of his matter. These Letters strike us as the effort of a man to express something which he has no organ fit for expressing. But a second and weightier excuse is to be found in the peculiarity of Burns's social rank. His correspondents are often men whose relation to him he has never accurately ascertained ; whom therefore he is either forearming himself against, or else unconsciously flattering, by adopting the style he thinks will please them. At all events, we should remember that these faults, even in his Letters, are not the rule, but the exception. Whenever he writes, as one would ever wish to do, to trusted friends and on real interests, his style becomes simple, vigorous, expressive, sometimes even beautiful. His letters to Mrs. Dunlop are uniformly excellent.


Notice: Undefined index: manage in C:\xampp\htdocs\ntsayrshire\Burns-CarlyleEssayMain2.html on line 326